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Democratising Live Streaming Entertainment Auditions

Democratising Live Streaming Entertainment Auditions Image Credit: salajean/BigStockPhoto.com

As an aspiring singer, model, or idol, an incredibly large factor in your success of being scouted by a decent agency would be your access to the correct network and resources.

Advancements in digital communication technology have enabled many previously “in-person” only experiences such as exhibitions, classes, and even doctor visits to be purely digital experiences, and this is now also true for auditions and entertainment. Platforms such as Japan’s mysta, for example, enable artists to showcase their work with live stream interactive auditions at both a local and nationwide level, offering participants real-time engagement and feedback.

This is only possible with interactive live streaming technology, which has provided talent recruiters with a new way to spot the next generation of stars through online auditions and real-time interactions. Such technology allows entertainers, influencers, and individuals to connect with their friends and fans through live video, and one of the most inspiring aspects of live streaming auditions lies in the instant feedback performers receive.

Witnessing a talented artist garner immediate reactions and engagement from the audience was a revelation: the real-time interactions bolstered their confidence, pushing them to deliver, to be even more engaging, and to perform better.

In this vein, the lifeblood of live performances is feedback. Live streaming technology bridges the gap between performers and their audience, enabling the flow of constructive criticism and encouragement. Artists can adapt their performances on the spot, showcasing their true potential without the constraints of scripted settings. The power of instant feedback transforms not just talent recruitment but also personal growth for the artists.

Live streaming auditions can also democratise talent discovery. Participants from all over the world are enabled to showcase their talents without the burden of extensive travel, and scouts and agents would have access to a more diverse talent pool, revealing hidden gems that might have otherwise gone unnoticed.

By eliminating financial barriers and logistical challenges, live-streaming auditions can potentially pave the way globally for talented individuals to pursue their dreams.

In my experience, live streaming technology is developing quickly and growing in popularity among brands and users alike. My team has been working on new capabilities, such as real-time speech-to-text, and text-to-localization AI-powered features for live streams to meet current market demand. At its core, live streaming provides powered audience engagement and sentiment analysis tools so that companies and talent can derive insights from their previous performances and improve upon unspoken feedback from their audiences.

I firmly believe that live streaming auditions hold the key to revolutionising talent discovery in the entertainment industry. It is opening new doors in entertainment, emphasising authenticity, inclusivity, and real-time connections.

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Author

Kenneth Tan grew up in Singapore, where both his parents were working professionals in customer services. From a young age, Kenneth knew he wanted to pursue his passion for video games, particularly as a conceptual artist. He studied at Nanyang Polytechnic and earned a diploma in digital media design. However, following graduation, he found his portfolio wasn’t strong enough to secure a job in the video game industry. His first job after graduation was with an architectural design firm. After this experience, Kenneth landed the opportunity to work for a startup video game publisher Nubee. This was a turning point in his career, bringing him closer to his goal to work with video games. At Nubee, he quickly got promoted to Creative Director & Producer, releasing games that went on to garner over 50 million downloads and grossing over $10million in revenue. He was headhunted by Tokyo Listed DeNA Co. Ltd. (TYO: 2432) as Director of Product, and in his two years there released multiple AppStore-featured products.

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